Alice jumps to the White Rabbit’s call towards the stand.
She forgets that she's got grown larger and knocks over the jury stand, then scrambles to place most of the jurors back. Alice claims to understand “nothing whatever” about the tarts, that the King deems “very important.” The White Rabbit corrects the King, suggesting that he in fact means “unimportant.” The King agrees, muttering the words “important” and “unimportant” to himself.
The King interjects with Rule 42, which states, “All persons more than a mile high to go out of the court.” Everyone turns to Alice, who denies this woman is a mile high and accuses the King of fabricating the rule. The King replies that Rule 42 is the oldest rule into the book, but Alice retorts that if it is the oldest rule into the book, it must be the initial rule. The King becomes quiet for a brief moment before calling for a verdict. The White Rabbit interrupts and declares that more evidence must be presented first. He presents a paper supposedly compiled by the Knave, though it is really not written in the Knave’s handwriting. The Knave refutes the charge, explaining that there's no signature in the document. The King reasons that the Knave must have meant mischief because he did not sign the note like an honest man would. The court seems pleased by this reasoning, while the Queen concludes that the paper proves the Knave’s guilt. Alice demands to read the poem in the paper. While the poem appears to have no meaning, the King provides an explanation and calls for a verdict. The Queen demands that the sentence come ahead of the verdict. Alice chaffs as of this proposal and criticizes the Queen, who calls for Alice’s beheading. Alice has grown to her full size and bats away the handmade cards while they fly upon her.
Alice suddenly wakes up and finds herself back on the sister’s lap in the riverbank. She is told by her adventures to her sister who bids her go inside for tea. Alice traipses off, while her sister remains by the riverbank daydreaming. She envisions the characters from Alice’s adventures, but understands that when she opens her eyes the images will dissipate. She imagines that Alice will one grow older but retain her childlike spirit and recount her adventures to other children day.
The chapter title “Alice’s Evidence” refers both to your evidence that Alice gives throughout the trial, as well as the evidence that she can control by waking up that she discovers that Wonderland is a dream. Alice realizes through the trial that it all “doesn’t matter a bit” what the jury records or perhaps the jury is upside down or right side up. None associated with details or orientations in Wonderland have any bearing on a coherent or outcome that is meaningful. Alice’s growth throughout the trial mirrors her awareness that is growing of fact that Wonderland is an illusion https://evolutionwriters.biz. She starts to grow if the Mad Hatter bites into his teacup, and she reaches height that is full the heated exchange utilizing the Queen when she points out that her antagonists are “nothing but a pack of cards!” Alice exposes Wonderland as an illusion along with her growth to full size is sold with her realization that she's got a measure of control over the illusion. Once she realizes that Wonderland is a dream, she wakes up and shatters the illusion.
Alice fully grasps the nature that is nonsensical of as soon as the King interprets the Knave’s poem. Alice disputes the King’s tries to attach meaning into the nonsense words of this poem. Her criticisms are ironic, since throughout her travels she has continually attempted to make sense regarding the various situations and stories she has encountered. Alice finally understands the futility when trying which will make meaning out of her adventures of Wonderland since every right element of it really is completely incomprehensible. This message is meant not only for Alice however for your readers of Alice’s Adventures in Wonderland as well. Just like the court complies with the King’s harebrained readings regarding the poem, Carroll sends an email to those that would try to assign specific meanings to the events. Alice’s Adventures in Wonderland actively resists definitive interpretation, which makes up about the diversity associated with the criticism written concerning the novella.
The scene that is final Alice’s sister establishes narrative symmetry and changes the tone of Alice’s journey from harrowing quest to childhood fantasy.
The reintroduction of this scene that is calm the riverbank allows the storyline to shut because it began, transforming Wonderland into an isolated episode of fancy. Alice’s sister ends the novella by changing the tone of Alice’s story, discounting the nightmarish qualities and favoring a nostalgia that is dreamy “the simple and loving heart of her childhood.” The sister’s interpretation reduces Alice’s experience of trauma and trivializes the journey only a small amount more than a “strange tale” that Alice may eventually recount to her own children.